Robot in the Attic Productions

All services

NEW YORK CITY / WORKING EVERYWHERE

The people.
The craft.

Photography, film, and specialist production support. Explore each role, see the equipment I bring, and request the rate card for your project.

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CAG Photography

Photography

Events, editorial stories, portraits, and headshots. A thoughtful approach to people, light, and the moment in front of the lens.

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The work

  • Event photography
  • Editorial assignments
  • Portrait sessions
  • Individual & team headshots

Equipment I bring

Cameras & lenses

  • Canon 5D Mark IV
  • Canon 85mm f/1.2 portrait lens
  • Canon EF 24–70mm and 70–200mm
  • Fujifilm X-Pro3

Light & support

  • Aputure lighting and modifiers
  • Bounce and negative fill
  • Stands and grip equipment
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Session length, deliverables, retouching, and image usage are scoped to the assignment.

Robot in the Attic Productions

DIT

Media management, footage QC, and a clear handoff to editorial. A dedicated workstation and cart configured around your cameras and postproduction requirements.

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The work

  • Checksum-verified offloads
  • Redundant media copies
  • Footage QC
  • Transcodes & dailies
  • Media and camera reports

Equipment I bring

Workstation & software

  • MacBook Pro M5 Max · 128GB memory · 8TB internal SSD
  • 8TB external SSD storage
  • ShotPut Pro
  • DaVinci Resolve Studio

On-set station

  • Dedicated DIT cart
  • 22-inch IPS production monitor
  • Thunderbolt 5 connectivity
  • Powered Thunderbolt 4 / USB-C expansion hub
  • Mobile internet and powered charging

Media readers

  • ARRI CODEX Compact Drives
  • CFexpress Type A and Type B
  • CFast 2.0
  • SD UHS-II, microSD, and CompactFlash
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Camera media, backup destinations, turnaround, and delivery specifications determine the final package. Labor and equipment are quoted separately.

Robot in the Attic Productions

Digital tech

Digital support for stills productions, with the capture station and file workflow planned around the photographer and the shoot.

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The work

  • Tethered capture workflow
  • On-set image review
  • File organization & backup
  • Delivery preparation

Equipment I bring

Capture station

  • MacBook Pro M5 Max · 128GB memory · 8TB internal SSD
  • Capture One
  • 8TB external SSD storage
  • Dedicated cart and 22-inch IPS monitor
  • Powered Thunderbolt / USB-C expansion
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Tether connections, camera compatibility, viewing requirements, and delivery formats are confirmed for each booking. Labor and equipment are quoted separately.

Robot in the Attic Productions

Gaffer

Lighting shaped around the scene, with an owned package of daylight, bicolor, and RGB fixtures, modifiers, and grip support.

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The work

  • Lighting setup & operation
  • Fixture and modifier selection
  • Lighting package planning

Equipment I bring

Key fixtures

  • 1 × Aputure Light Storm 600d
  • 1 × Aputure Light Storm 300x
  • 3 × Aputure Light Storm 120d
  • 1 × Aputure Nova P300c
  • 2 × amaran 60d

Flexible & practical light

  • 4 × Nanlite 4-foot PavoTube RGBWW tubes
  • 4 × Aputure MC RGBWW lights
  • 3 × Westcott Flex Cine 1 × 2-foot bicolor kits

Control & support

  • Light Domes, grids, and lantern with skirt
  • Aputure 36-degree Spotlight and gobos
  • 8 × C-stands
  • 5 × Manfrotto Super Clamps · 2 × Cardellini clamps
  • 2 × V-flats and assorted gels
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The final lighting package follows the location, available power, crew, and creative brief. Equipment is quoted separately from labor.

Robot in the Attic Productions

Sound mixer

Production dialogue and location sound, with careful mic placement, attention to talent comfort, and an organized handoff for post.

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The work

  • Production sound mixing
  • Boom operation
  • Talent mic fitting & concealment
  • Sound design
  • Score composition
  • Audio postproduction

Equipment I bring

Microphones

  • Sennheiser MKH 416 P48
  • RØDE NTG4+
  • 4 × DPA 6060 lavaliers
  • 2 × Sanken COS-11D lavaliers

Wireless & field support

  • Deity THEOS and Sennheiser G4 wireless systems
  • RØDE wireless options
  • Zoom field recorders
  • Tentacle timecode equipment
  • 2 × 12-foot carbon-fiber boom poles
  • Blimps, wind protection, and concealment supplies
  • Body straps and tape for varied skin tones and body types

Post sound & recording

  • Universal Audio Apollo x4 and DSP expansion
  • Neumann U 87 Ai and Shure microphones
  • Ableton Live and Logic Pro
  • Waves, UAD, and iZotope RX / Ozone tools
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Wireless channel count, simultaneous recording needs, timecode, and any additional boom operator are scoped before the shoot.

Robot in the Attic Productions

Director of photography

Camera, light, and movement planned around the story. Share the treatment and production brief to begin shaping the visual approach.

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The work

  • Visual approach
  • Camera & lighting planning
  • Production collaboration

Camera and lighting packages are selected for the production. Request the rate card and a project-specific estimate.

Robot in the Attic Productions

Director

A point of view for the story and the people telling it. Start with an idea, a script, or a creative brief.

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The work

  • Creative development
  • Story & performance
  • Production collaboration

Development, preparation, shoot days, and postproduction involvement are scoped around the project.

One project. The right team.

Need a combination of services? Tell me what you’re planning.

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