Film & sound / Christian A. Guerrero

Score composer.

Music that belongs to the story.

01 / APPROACH

My approach

Music is part of the same creative life as my filmmaking. I start with what the scene is doing emotionally, then look for a musical language that helps it land.

We talk about where music should enter, where it should leave space, and how themes develop across the project. Early sketches give us something tangible to respond to before committing to a full arrangement.

Christian’s CAG signature

02 / WORK

Selected sound work

Original music is another part of the same creative practice. These artist releases offer a sense of voice and musical range.

Bedlight for Blue Eyes

The Dawn

03 / PROCESS

Process

  1. 01

    Spot the picture

    Identify cues, emotional beats, references, and the delivery timeline.

  2. 02

    Find the language

    Review themes and sketches before developing the agreed cues.

  3. 03

    Finish and hand over

    Refine to picture and deliver agreed mixes and stems. Usage, musicians, and recording needs are confirmed in the scope.

04 / GEAR

Equipment

I draw from this equipment to put together the right package for your project. I’ll confirm availability and any additional rentals in the booking.

Post sound & recording

  • Universal Audio Apollo x4
  • Universal Audio OCTO 8 DSP expansion
  • Neumann U 87 Ai
  • 2 × Shure SM7B
  • 5 × Shure SM57
  • Ableton Live and Logic Pro
  • Waves, UAD, and iZotope RX / Ozone tools

05 / RATES

Rates

SCORE COMPOSER

Let’s scope it.

A project quote based on music duration, instrumentation, recording, usage, and revisions.

A written estimate confirms deliverables, revisions, equipment, usage, timing, and any outside costs before work starts.

Download score composer rate card (PDF) ↓

LET’S MAKE SOMETHING WITH FEELING

Tell me what
you’re making.

Share your goals, timing, location or platform, and a sense of your budget. We can work out the right scope together.

Email Christian ↗

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